They were up on a picnic table at that park by the lake, by the edge of the lake, with part of a downed tree in the shallows half hidden by the bank. Lane A. Dean, Jr., and his girlfriend, both in bluejeans and button-up shirts. They sat up on the table’s top portion and had their shoes on the bench part that people sat on to picnic or fellowship together in carefree times. They’d gone to different high schools but the same junior college, where they had met in campus ministries. It was springtime, and the park’s grass was very green and the air suffused with honeysuckle and lilacs both, which was almost too much. There were bees, and the angle of the sun made the water of the shallows look dark. There had been more storms that week, with some downed trees and the sound of chainsaws all up and down his parents’ street. Their postures on the picnic table were both the same forward kind with their shoulders rounded and elbows on their knees. In this position the girl rocked slightly and once put her face in her hands, but she was not crying. Lane was very still and immobile and looking past the bank at the downed tree in the shallows and its ball of exposed roots going all directions and the tree’s cloud of branches all half in the water. The only other individual nearby was a dozen spaced tables away, by himself, standing upright. Looking at the torn-up hole in the ground there where the tree had gone over. It was still early yet and all the shadows wheeling right and shortening. The girl wore a thin old checked cotton shirt with pearl-colored snaps with the long sleeves down and always smelled very good and clean, like someone you could trust and care about even if you weren’t in love.
By David Foster Wallace
Read entire story: Good People
See also: Hills Like White Elephants by Ernest Hemingway
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3 comments:
vaniel--
this is the best story i can remember having read in the new yorker during the past year. have you read hills with white elephants? it manages to sort of pay homage to it (or tries to one-up it?)while never even verging on pathetic imitation, or imitation at all. foster wallace does the exact inverse of what hemingway does and doesn't include ANY direct dialogue, relying instead on some of the most visceral physical descriptions i think i've ever read. what do you think?
p.s. i put a link on facebook in hopes that maureen will find this and start crying a la barcelona when we told her god died.
Wow! This story is amazing I'm glad you used the "Hills Like White Elephants" post on my site - I wouldn't have found "Good People" otherwise. Great symbolism.
Keep up the good work.
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